Cheerily, then, my little man . . . she's got blood in her eyes for you.

I have Andrew Bird's song "Fake Palindromes" in my head at the same time as the poem "Barefoot Boy," by John Greenleaf Whittier (1855). (It was on the Writer's Almanac the other day.)

Here's an excerpt:
Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt’s for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!

Meanwhile, from "Fake Palindromes" . . .

my dewy-eyed disney bride, what has tried
swapping your blood with formaldehyde?
monsters?
whiskey-plied voices cried fratricide!
jesus don't you know that you could've died
(you should've died)
with the monsters that talk, monsters that walk the earth

and she's got red lipstick and a bright pair of shoes
and she's got knee high socks, what to cover a bruise
she's got an old death kit she's been meaning to use
she's got blood in her eyes, in her eyes for you